Wednesday, May 11, 2022

The Friends of Eddie Coyle (1973)

 
THE FRIENDS OF EDDIE COYLE  (1973)  ¢ ¢ ¢ ¢
    D: Peter Yates
    Robert Mitchum, Peter Boyle, Richard Jordan,
    Steven Keats, Alex Rocco, Joe Santos
A low-level Boston hoodlum who makes his living selling guns to bank robbers tries to cut a deal with a government agent in exchange for a break on a prison sentence. Mitchum gives one of his best performances as a guy who's fucked and knows it, but it's really an ensemble piece, with Peter Boyle, Richard Jordan, Steven Keats and Alex Rocco all scary good as the kind of "friends" you'd be better off not knowing. Yates' direction is low-key and functional, and the world he creates is a self-contained nightmare that plays by its own crooked rules. And the masks, one of the few things in the movie that comes close to comedy: You can't rob a bank in this movie unless the robbers are all wearing matching masks.

Monday, May 9, 2022

The Flesh Eaters (1964)

 
THE FLESH EATERS  (1964)  ¢ ¢
    D: Jack Curtis
    Martin Kosleck, Byron Sanders, Barbara Wilkin,
    Rita Morley, Ray Tudor, Christopher Drake
Five characters stranded on a tiny, remote island battle a flesh-eating parasite in a surprisingly artful drive-in flick. There's the alcoholic actress, the heroic, he-man pilot, the evil Nazi scientist, the crazy beatnik, and the girl who surrenders her blouse when somebody asks for strips of cloth to make bandages - all of them watching the water and hoping to survive without having their bones picked clean. There's some fun in the script and the overdone performances, and Curtis clearly has a sense of what to do behind the camera. The editor was Radley Metzger, who would make his mark with a series of sometimes inventive porno movies. 

Saturday, May 7, 2022

Deluge (1933)


DELUGE  (1933)  ¢ ¢ ¢
    D: Felix E. Feist
    Peggy Shannon, Sidney Blackmer, Lois Wilson,
    Fred Kohler, Ralf Harolde, Edward Van Sloan
A pre-Code disaster adventure that begins where most disaster movies leave off (or never get to) - the end of the world. After that's all over - it takes a reel or two for all those model skyscrapers to topple over - it's up to the survivors to figure out how to carry on. This looks a lot like an early-'30s serial, with close calls and narrow escapes and music in the background that never shuts off. Long considered a lost film, it's also a strange one that always seems about to go off in some unexpected direction, and does, with a final existential image that, under the circumstances, feels just right.

Saturday, April 23, 2022

Edward, My Son (1949)

 
EDWARD, MY SON  (1949)  ¢ ¢ 1/2
    D: George Cukor
    Spencer Tracy, Deborah Kerr, Ian Hunter,
    Mervyn Johns, James Donald, Leureen MacGrath
An unscrupulous bastard makes a fortune in the business world, alienating everybody he knows and destroying anybody who gets in his way. He claims to be doing it all for his son, Edward, who never appears on screen and who seems to have even fewer ethical principles than his old man. The movie's a bit of a slog, introduced by Tracy, speaking straight into the camera, seeking sympathy and understanding for a monster whose abiding ruthlessness precludes even the pretense of empathy or remorse. Toward the end, it just kind of goes off the edge, along with Deborah Kerr, playing Tracy's ruined, booze-addled wife. 

Thursday, April 21, 2022

Dean Martin: King of Cool (2021)

 
DEAN MARTIN: KING OF COOL  (2021)  ¢ ¢ ¢
    D: Tom Donahue
How Dino Crocetti, a cocky, fun-loving Italian kid from Steubenville, Ohio, became Dean Martin, singer, actor, television star and straight man to Jerry Lewis. Martin's approach to his work was so outwardly casual, it didn't look like work at all, but he had an innate sense of what he could do, and what his limitations were, and he was lucky. Over time, he invented a public persona that became indistinguishable from the man behind it, and he seemed to like it that way. Even those who were closest to him admitted they didn't know who he really was. That's what this documentary is getting at, and it's an interesting (and somewhat sanitized) portrait of an unlikely enigma, the carefree, booze-and-a-cigarette image providing the perfect cover for a guy who became his own disguise. 

For a more comprehensive and less reverential look at Dean Martin's life, the Movie Buzzard recommends "Dino", an insightful, unsparing biography by Nick Tosches.

Monday, April 18, 2022

The Hit List: Clint Eastwood


               "Whatever success I've had is due 
                 to a lot of instinct and a little luck."

    It seems unlikely that anybody watching "Rawhide" on CBS way back when would've predicted that the young actor playing cowpoke Rowdy Yates would become one of the screen's most accomplished filmmakers and one it its most iconic stars. But here's Clint Eastwood 60 years later, still making movies and sometimes starring in them, a testament to talent, longevity and luck. 
    He was born in San Francisco in 1930, and his family moved around a lot, which might've contributed to his affection for road movies. (He's made a lot of them.) He paid his dues in small parts and on "Rawhide", where he learned about directing by watching everything that was going on. He got his big break when he took a chance and went to Spain to make "A Fistful of Dollars" for Sergio Leone, and he's been working on the big screen ever since, behind the camera and in front of it. 
    To get a sense of what he's done, and the curious way his movies sometimes match up, consider these Eastwood double features. All were directed by Eastwood, unless otherwise noted. 

"A Fistful of Dollars" (1964) 
"For a Few Dollars More" (1965)
Both directed by Sergio Leone
Eastwood, Leone and composer Ennio Morricone team up and invent a new genre: the spaghetti western.
"Where Eagles Dare" (1968)
"Kelly's Heroes" (1970)
Both directed by Brian G. Hutton
World War Two was never like this. 
"The Beguiled" (1970/Don Siegel)
"Play Misty For Me" (1971)
A Civil War soldier and a radio jazz DJ discover the perils of promiscuity.
"Dirty Harry" (1971/Don Siegel)
"Sudden Impact" (1983)
Do you feel lucky?
"High Plains Drifter" (1973)
"Pale Rider" (1985)
Ghost stories (Spoiler Alert!) with Clint as the ghost.
"The Outlaw Josey Wales" (1976)
"Unforgiven" (1992)
Two westerns. Quintessential Clint.
"Bronco Billy" (1980)
"Honkytonk Man" (1982)
Road movies revolving around a favorite Eastwood theme: surrogate familes. 
"Absolute Power" (1997)
"Space Cowboys" (2000)
Escapist entertainment with Clint as a jewel thief who witnesses a murder, and an ancient astronaut. 
"Mystic River" (2003)
"Million Dollar Baby" (2004)
Movies from the dark side. Two of Clint's best.
"Flags of Our Fathers" (2006)
"Letters From Iwo Jima" (2006)
The war in the Pacific, from both sides.
"Gran Torino" (2008)
"Trouble With the Curve" (2012/Robert Lorenz)
Clint plays a retired autoworker and a baseball scout losing his eyesight. Not bad for an old guy.

    Clint turns 92 this year. His latest picture, "Cry Macho", was released last September. There's virtually no precedent for a filmmaker directing movies and playing leads in them simultaneously at that age. 
    Portuguese director Manoel de Oliveira, who died in 2015, was still making films at 100, and it wouldn't be a total surprise if Clint were to get there, too. He works quickly and efficiently. He's famous for getting what he wants in one or two takes. His movies generally make money. And he seems to know how to pace himself. A career like Eastwood's doesn't happen purely by accident. 
    One thing's for sure: He's come a long way from "Rawhide" and Rowdy Yates.

Saturday, April 16, 2022

Dante's Inferno (1911)

 
DANTE'S INFERNO  (1911)  ¢ ¢ ¢
    D: Francesco Bertolini, 
          Adolfo Padovan, 
          Giuseppe de Liguoro
    Salvatore Papa, Arturo Pirovano, Giuseppe de Liguoro,
    Pier Delle Vigne, Augusto Milla, Emilise Beretta
An Italian poet gets a guided tour of hell and observes the sick and twisted ways the souls of the damned are punished for their sins. An elaborately produced silent version of Dante's 14th-century epic, flamboyantly acted but visually striking, its look derived from the famous engravings by Gustav DurĂ©. Highlights include the headless guy whose severed head still speaks, and (of course) Lucifer. There's a lot of nudity, but it's almost all guys. That's hell for you, I guess. The print I saw on YouTube had a good modern musical score by Mike Kiker, and apparently there's another one with music by Tangerine Dream.